{"id":6208,"date":"2011-12-10T15:13:09","date_gmt":"2011-12-10T14:13:09","guid":{"rendered":"http:\/\/www.lacanquotidien.fr\/blog\/?p=6208"},"modified":"2012-01-05T20:08:56","modified_gmt":"2012-01-05T19:08:56","slug":"sur-le-golgota","status":"publish","type":"post","link":"https:\/\/lacanquotidien.fr\/blog\/2011\/12\/sur-le-golgota\/","title":{"rendered":"Sur le Golgotha !"},"content":{"rendered":"

G\u00f3lgota picnic au th\u00e9atre du rond Point du 08 au 17 d\u00e9cembre 2011<\/span><\/h2>\n

Pr\u00e9sentation<\/span>\u00a0par Victor Rodriguez<\/span><\/span><\/span><\/p>\n

\"\"<\/a>Dans le cadre du festival d’automne \u00e0 Paris<\/a>, le th\u00e9\u00e2tre du Rond\u00a0Point<\/a> pr\u00e9sente G\u00f3lgota picnic, la derni\u00e8re pi\u00e8ce de l’auteur, sc\u00e9nographe et metteur en sc\u00e8ne d’origine hispano-argentine, Rodrigo Garcia. La pi\u00e8ce, cr\u00e9e en janvier \u00e0 Madrid par Carniceria the<\/a><\/span><\/span>\u00e1<\/a><\/span><\/span><\/span><\/strong>tro<\/a> (la compagnie fond\u00e9e par Rodrigo Garcia), est produite par <\/span><\/span>le <\/span><\/span><\/span>Centro Dram\u00e1tico Nacional\u00a0<\/span><\/span><\/span><\/strong>(Madrid) coproduite par le t<\/span><\/span><\/span>h\u00e9\u00e2tre Garonne\u00a0<\/span><\/span><\/span><\/strong>(Toulouse) et\u00a0le <\/span><\/span><\/span>Festival d’Automne \u00e0 Paris. <\/span><\/span><\/span><\/strong><\/p>\n

Pour ce spectacle, Rodrigo Garcia veut revenir \u00e0 la litt\u00e9rature, comme il le dit \u00ab\u00a0pour donner plus d’importance \u00e0 la parole sur sc\u00e8ne. J’ai toujours donn\u00e9 beaucoup d’importance \u00e0 la parole, plus pr\u00e9cis\u00e9ment, au travail sur les textes. Ce qui se passe bien souvent, c’est que l’aspect visuel, performatif, le jeu de l’acteur l’emportent. Cette fois-ci, j’ai renonc\u00e9 \u00e0 beaucoup de choses pour mettre au premier plan la litt\u00e9rature\u00bb1<\/sup>. C’est sur le texte de la bible que son int\u00e9r\u00eat s’est port\u00e9, pr\u00e9texte pour \u00e9voquer \u00ab\u00a0[ces] propres questions, [ces] probl\u00e8mes\u00a0: la solitude, l’amour, est-ce qu’il est possible ou pas de vivre ensemble, est-ce qu’il est possible ou pas de nous aimer les uns les autres, savoir si c’est vrai, si cela existe, si on peut vivre ensemble. Ce sont beaucoup de questions pour lesquelles, naturellement, je pouvais me servir de la figure du Christ.\u00a0\u00bb2\"\"<\/a><\/sup> <\/span><\/span><\/span><\/strong><\/p>\n

Les quatre personnages au sommet du Golghota, nous convient \u00e0 une c\u00e8ne dans un style qui n’est pas sans rappeler la foire comme l’\u00e9voque Lacan dans son Discours aux catholiques, \u00ab\u00a0la foi, c’est la foire\u00a0\u00bb !<\/span><\/span><\/span><\/strong><\/p>\n

Victor Rodriguez<\/span><\/span><\/span><\/strong><\/p>\n

Texte, mise en sc\u00e8ne et sc\u00e9nographie\u00a0<\/span><\/span><\/span>Rodrigo Garc\u00eda<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>\u00a0<\/strong><\/p>\n

Piano\u00a0<\/span><\/span><\/span>Marino Formenti, <\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>musique\u00a0: Les sept derni\u00e8res paroles du christ sur la croix de\u00a0<\/span><\/span><\/span>Joseph Haydn<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span><\/p>\n

Avec\u00a0<\/span><\/span><\/span>Gonzalo Cunill<\/span><\/span><\/span><\/span>,\u00a0<\/span><\/span><\/span>N\u00faria Lloansi<\/span><\/span><\/span><\/span>,<\/span><\/span><\/span>Juan Loriente<\/span><\/span><\/span><\/span>,\u00a0<\/span><\/span><\/span>Juan Navarro<\/span><\/span><\/span><\/span>,\u00a0<\/span><\/span><\/span>Jean-Beno\u00eet Ugeux<\/span><\/span><\/span><\/span>\u00a0<\/span><\/span><\/span><\/p>\n

Traduction\u00a0<\/span><\/span><\/span>Christilla Vasserot<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span><\/p>\n

Assistant \u00e0 la mise en sc\u00e8ne\u00a0<\/span><\/span><\/span>John Rom\u00e3o<\/span><\/span><\/span><\/p>\n

Lumi\u00e8re\u00a0<\/span><\/span><\/span>Carlos Marquerie<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span><\/p>\n

Son\u00a0<\/span><\/span><\/span>Marc Romagosa<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span><\/p>\n

Vid\u00e9o\u00a0<\/span><\/span><\/span>Ram\u00f3n Diago<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span><\/p>\n

Bande-son des vid\u00e9os\u00a0<\/span><\/span><\/span>Daniel Romero<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span><\/p>\n

Costumes\u00a0<\/span><\/span><\/span>Bel\u00e9n Montoli\u00fa<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span><\/p>\n

R\u00e9gie technique\u00a0<\/span><\/span><\/span>Roberto Cafaggini<\/span><\/span><\/span><\/a><\/p>\n

\n

<\/a><\/p>\n

1 et 2 : Entretien avec Rodrigo Garcia le 20 Novembre 2011. Entretien r\u00e9alis\u00e9 par Christiane Terrisse, <\/span>Victor Rodriguez et Eduardo Scarone \u00e0 l’issue de la derni\u00e8re repr\u00e9sentation \u00e0 Toulouse au Th\u00e9\u00e2tre Garonne.<\/span><\/span><\/span><\/p>\n

3. Jacques Lacan, Le triomphe de la religion pr\u00e9c\u00e9d\u00e9 de Discours aux catholiques, Paris, Seuil, 2005, pp.95<\/span><\/span><\/span><\/strong><\/p>\n

<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

G\u00f3lgota picnic au th\u00e9atre du rond Point du 08 au 17 d\u00e9cembre 2011 <\/p>\n

Pr\u00e9sentation\u00a0par Victor Rodriguez<\/p>\n","protected":false},"author":9,"featured_media":6219,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[79],"tags":[1167,1168,1166,668,318],"class_list":["post-6208","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allonsy","tag-carniceria-theatro","tag-foi","tag-golgota-picnic","tag-rodrigo-garcia","tag-theatre"],"_links":{"self":[{"href":"https:\/\/lacanquotidien.fr\/blog\/wp-json\/wp\/v2\/posts\/6208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lacanquotidien.fr\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lacanquotidien.fr\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lacanquotidien.fr\/blog\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/lacanquotidien.fr\/blog\/wp-json\/wp\/v2\/comments?post=6208"}],"version-history":[{"count":17,"href":"https:\/\/lacanquotidien.fr\/blog\/wp-json\/wp\/v2\/posts\/6208\/revisions"}],"predecessor-version":[{"id":6221,"href":"https:\/\/lacanquotidien.fr\/blog\/wp-json\/wp\/v2\/posts\/6208\/revisions\/6221"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lacanquotidien.fr\/blog\/wp-json\/wp\/v2\/media\/6219"}],"wp:attachment":[{"href":"https:\/\/lacanquotidien.fr\/blog\/wp-json\/wp\/v2\/media?parent=6208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lacanquotidien.fr\/blog\/wp-json\/wp\/v2\/categories?post=6208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lacanquotidien.fr\/blog\/wp-json\/wp\/v2\/tags?post=6208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}